Leap of Faith: Dancer opens studio theater at the Bernardo Winery
By JOEL D. AMOS - For the North County Times |
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"The 7 o’clock hour began with the MOJALET Dance Collective in several sections – the first, a duet couple (all in red) in a sort of waltz-tango-combo that allowed them freedom of movement (…shades of Dancing With The Stars)…sexy and visually appealing. The next pieces dealt with their Corps Group of 6-girls and 2-boys (all in grey) that merged a bit of “yes…Jesus Loves Me” to an energetic Irish-Country Western piece “Storm”, and became a rousing audience pleaser! MOJALET can be counted-on for ‘creativity’ … they perform interesting flowing choreographic patterns, easy to follow and enjoy". Celebrate Dance Festival, August 29, 2009 Rob Appel, SD TheatreScene |
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VAVPA Performance Review I just saw the
performance of Mojalet. THANK YOU for bringing this truly artful
presentation to Vista Academy. I wish every student at VAVPA could
have seen this!!!! Incredible AND interactive. Thank you for your
persistence to make this happen. It was a fantastic professional
performance that very few people, in their lives, will ever have an
opportunity to see.
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Summer Sundays take root at the Vine theater Nestled among olive trees and bougainvillea, the Vine theater looks quintessentially Southern Californian. Enter the black box performance space, though, and you may be transported to another world, for instance, the marvelously edgy Berlin cabaret created last Sunday by choreographer Faith Jensen-Ismay, soprano Stacey Fraser and pianist Josh Tubaran. By Janice Steinberg July 5, 2009 |
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Mojalet dance troupe branches out on The Vine By José A. López June 17, 2009 |
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Tanzcompagnie aus San Diego begeisterte Generalversammlung und Aufführung TanzinOlten im TanzTheaterRaumEins Switzerland Review May 2009 |
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Click for full review |
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The Vine is a big leap for
Mojalet Dance Collective If you build it, they will dance. That's Faith Jensen-Ismay's hope for The Vine, the new studio-theater she's launching at the Bernardo Winery in Rancho Bernardo. The Vine opens Tuesday with a reception and performances by Jensen-Ismay's Mojalet Dance Collective, the theater's resident company. By Janice
Steinberg |
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"Crosscurrents: Europe
Collaboration" at San Diego State's Studio Theater Mojalet Dance Collective invites Swiss guest to San Diego Posted on Apr 14 2008 |
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It’s always encouraging to see San Diego artists and companies making global connections and developing international relationships. Cross-border conversations offer new perspectives, expose artists to new ideas and techniques, and push artists outside of their comfort zones. The Mojalet Dance Collective and director Faith Jensen-Ismay have found a second home in Switzerland, where they travel frequently to present dance and have in turn welcomed Swiss artists to San Diego. This weekend, the exchange continued with Swiss artist Elfi Schaefer-Schafroth in the program “Crosscurrents: Europe Collaborations.” By Brian Schaefer
Click
Here for full review |
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Rhythm
Talk Tour Review From a world-spanning bank of instruments – including Indian tablas, Brazilian udus, Asian gongs, African talking drums and Western drum sets – Rhythm Talk's Noby Lehmann (the group's director), Phillip Schmid and Ruedi Mauer coax a remarkable range of moods, from primeval rustlings to a get-wild Carnival beat to the pulse of some holy rite. The choreography proves as complex as the music, and that's a welcome development. Mojalet (the name combines modern, jazz and ballet) is a relatively established company, started in 1991 by Jensen-Ismay and two colleagues who've since moved on. Janice Steinberg Click
Here for full review |
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Mojalet
in Tanzinolten Nov. 2006 (Click here for full review in English) PDF (Click here for full review in German) PDF "A touching evening, spontaneous in effect, entertaining and versatile, accentuated by dance of great quality, embedded in the sound landscapes of RhythmTalk, literally going under one’s skin. " The
Region |
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MOZART
DANCES! "I
was lucky to catch one of the last Lunchtime at the Lyceum events of the
Mainly Mozart Festival. Mojalet
Dance Collective presented a delightful program in honor of
Mozart’s 250th
birthday, including dances to selections from “Eine Kleine Nachtmusik,”
Cosi fan Tutte, The
Magic Flute and “The Requiem.” Artistic director Faith Jensen-Ismay
(who also created the costumes) came out onto the stage to explain a bit
of the backstory to the formidable audience which had a large contingent
of elementary school children. I happened to be sitting next to the
woman who got them there: Cheryl Brown, founder of ArtsBusXpress, which
provides transportation for schoolchildren to arts activities and
events. Since it was founded in 2002, the program has helped more than
29,000 students get on board, from 158 schools across the County. What a
fabulous, sorely needed program! The kids du jour were from the SD
Theatrescene.com |
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Mojalet
in Switzerland Stadt/Region Olten Zeitung Mit Fantasie und Witz getanzt Tanz in Olten Eindrückliche Performance des Mojalet Dance Collective aus San Diego |
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"Clang
Clang Clang" "This years trolley dances (2004) had more walking, less trolley than last year. But also more varied participants: non- dance body dancers, two pregnant women and a performer in a wheelchair. Not every choreographer made the best use of the space selected, but the stand outs were Jean Isaac's whimsical cavorting around the county administration building, using music by the Steel Monarch and Faith Jensen Ismay's "Life- Styles" three couples (with cat -burglars, preggos, able bodied and disabled interacting marvelously) on the terrace of Camden Tuscany Apartments." SD Theatrescene.com October 6, 2004 - Pat Launer |
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| "Mojalet show sometimes in the pink" "Two of Jensen-Ismay's older works, "Image-A-Nation'" and "Love American Style" had an appealingly sensual, feminist flavor. The first, performed with girlish gusto and sexual swagger by the college's University Dance Company, examined perceptions and self- perceptions of female beauty. As the dancers alternately vamped, angrily grabbed at their flesh and performed manic exercise routines, Jensen-Ismay offered a moving, subjective on women's conflicted self-image. "Love American Style'" was a bit of a romp, in a good way. Singer/Actress Cindy Frerking was a lusty, ironic presence in a dance that incorporates spoken-word text, and explores ways in which we try to find love. Jensen-Ismay's "Morning Glory," premiered last fall has evolved into a tighter, more coherent piece exploring themes of regeneration. The dancers dressed in gauzy pajamas, offered a polished, confident interpretation of Jensen-Ismay's absorbing choreography, made up of stately, sculptural poses, lyrical arm movements and nicely textured layerings of pairs and trios." San Diego Union-Tribune Monday, October 26, 1998 - Jennifer de Poyen | |
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"Emerge" "Jensen-Ismay demonstrated a flair for humor in "Frolicking," a group work set to three familiar songs - Verdi's La donna e mobile," Denza's Funiculi, Funiculi and Romberg Donnelly's "Drink, Drink, Drink." The choreographers visual whit - especially in reference to all those sustained notes in Verdi's famous aria - and sense of structure were particularly striking." San Diego Union - Tribune Tuesday, September 14, 2004 - Jennifer de Poyen |
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"East
Meets West" "As scheduled, Jensen-Ismay presented three new works - a four part, large ensemble abstract collage called "Gems"; a solo for herself (beautify danced) called "Misplaced"; and a lighthearted, down -home "Swing & Fling," which allowed the dancers' personalities to shine through. Bent elbows slapped thighs and tapping toes are all featured in this ensemble piece, which has a winningly informal feel." San Diego Union - Tribune Sunday, September 28, 2003 - Jennifer de Poyen |
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"Mojalet
delivers a thought -provoking Showcase" "It was a showcase of polished works and works-in-progress" "The evening concluded on a high note with another Jensen-Ismay premiere, 'Morning Glory.'" The San Diego Union-Tribune October 1997 - Jennifer De Poyen |
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"Mojalet
Wrestles with Greatness" "Three of the five works were created by Jensen-Ismay, a veteran of Isaacs, McCaleb & Dancers and an increasingly sophisticated choreographer." Her big premier "Go For The Fall," a suite of variations on wrestling themes that often conjured up the physical power, the visual beauty and the grunting absurdity of the sport. Also new was Jensen-Ismay's "Footprints," a sometimes moving and sometimes amorphous series of seeking gestures and tender partnering inspired about trust in God. The choreographer's 1991 "Brainstorm" was strongly danced by herself, Scardino-Sagely and Pauline Duhig." San Diego Union - Tribune Monday, December 16, 1996 - Anne Marie Welsh |
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"Mojalet
Works range from clever to Uplifting" "As a choreographer, Jensen-Ismay's humor is her greatest strength." "The Mojalet Dance Collective gives choreographers and dancers a much needed showcase here." The San Diego Union-Tribune February, 1996 - By Anne Marie Welsh |
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"MOJALET
co-director Faith Jensen-Ismay displayed a sense of wit and whimsy in
"Chatter," a new trio for Holly Clark, Lisa Deines and Sharon
Redondo. The dance was chock-full of invention, despite its lightweight
theme" The San Diego Union-Tribune Monday, September 12, 1994 - By Eileen Sondak |
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"Jensen-Ismay
saved the program with her comedy piece 'Image-A-Nation'." Jensen-Ismay
always has shown a gift for comedy. Here she gets the movement jokes,
the rhythm and theme aligned." The San Diego Union-Tribune Monday, November 22, 1993 - by Anne Marie Welsh |
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"Jensen-Ismay,
Scardino
make an artistic and expressive team." "Jensen-Ismay's 'Sappy Saddness' also showed some choreographic gumption." The San Diego Union-Tribune Saturday, February 16, 1991 - By Anne Marie Welsh |
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'Dance
Exists' Proves Its Name "Jensen-Ismay (a dancer with Three's Company) reprised "Willie Make It'" a tongue-in-cheek solo she introduced in one of last month's lo-Tec concerts. With nothing but her own vocalized grunts and groans for sonics, Jensen-Ismay fought an imaginary opponent with moves and images borrowed from the martial arts. It was cute and comic, without going overboard. And it was as popular with the North County audience as it was experimental. Another Jensen-Ismay creation "Movement Plus'" was not as novel, but it made good use of stop-action imagery and interesting shadow play as it ebbed and flowed along a thunderous score." LA Times Eileen Sondak, Tuesday, Sept. 12, 1989 |
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"Jensen-Ismay
showed her
solo 'Willie Make It,' a smartly constructed comedy dance inspired by
the military and martial arts fantasies of boys." The San Diego Union-Tribune Tuesday, September 12, 1989 - By Anne Marie Welsh |
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